• 2025

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• Don't Give Up: being a caring artist in a capitalist world – part 2

• 2024

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• Don't Give Up: being a caring artist in a capitalist world

• 2023

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• Something Ending
• Various Short Circuits

• 2022

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• Arc Of Noise #2

• 2021

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• Arc Of Noise #1
• Feeling Being
• Some Cause For Hope
• 26 Years of Babel's Cupid

• 2020

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• Honestly what were you THINKING
• Breaking theatre is more fun than making theatre

• 2019

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• "A man's gotta have a code."
• Creative Intelligence: stick it up your chart

• 2018

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• What We Don't Talk About When We Talk About Power
• Chipping at the hard stuff: honesty / (in)visibility / community / career
• 2: Interviews
• Review: Now Is The Time To Say Nothing
• Proper Lanka
• Ocean confessions
• Human / Technology
• Uncanny Lanka
• Practice Makes Practice
• People Take Pictures Of People
• Ask me if I'm Sri Lankan
• The Museum Of Important Incidents
• The Modern Spirit

• 2017

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• Thought Residency #7: Piano Thought
• Thought Residency #6: Nightshift Thought
• Thought Residency #5: Mainstream Thought
• Thought Residency #4: Thoughts Thought
• Thought Residency #3: Techno Thought
• Thought Residency #2: Awesome Thought
• Thought Residency #1: Impossible Thought
• Wrong kind of Asian, wrong kind of work

• 2016

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• A humble request to theatre critics
• Drama: problems
• Dangerous and / or Impossible Instruments, part one
• Dark Land Light House: Influences
• DLLH: Influences 4 > FULL ON THEATRE
• DLLH: Influences 3 > FEAR & PSYCHOLOGICAL HORROR
• DLLH: Influences 2 > EXISTENTIAL SCI-FI
• DLLH: Influences 1 > MUSIC

• 2015

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• Doctor Version
• Writing (at) Utah
• Dark Land Light House: Double Exposures
• What The Found Sound 2: Barcelona 2014
• Steady Statements
• What The Found Sound 1: Prague 2004

• 2014

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• Why not / because usually / what else
• Writing Dark Land Light House
• I like scripts
• Here is some music
• WHY IS YOUR PLAY BORING?
• An interview about The Bullet And The Bass Trombone