Hello. I’m a writer and composer.
Here’s a picture of me from 2017
(I look a bit older now.)
I co-founded Sleepdogs with Tanuja Amarasuriya
and I’m a resident at Pervasive Media Studio, Watershed, Bristol.
Projects as writer include:
for BBC Sounds, the first fiction podcast to top the iTunes charts
starring Pearl Mackie, Tanya Moodie, Pippa Haywood
Writers Guild of Great Britain Awards, best radio drama 2020
Radio Academy ARIA, best fictional storytelling 2020
Finalist: BBC Audio Drama Awards, best podcast / online series 2020
Special commendation: Prix Europa, Best European Digital Audio Project 2019
a stage play
Winner of the Bruntwood Prize for playwriting 2017
a stage play
Runner-up, Yale Drama Series Prize 2021
ALL MY DREAMS ON VHS
a short film starring Gugu Mbatha-Raw and O-T Fagbenle
NexT Bucharest Audience Award 2009
THE MORPETH CAROL
an afternoon play for BBC Radio 4 based on the Sleepdogs stage play
starring Paul Copley, Ellis Hollins, Alun Raglan, Rachel Davies
Radio Academy Award for Best Drama 2014
(writing as 艾缇莫)
3 episodes of an adaptation of the Swedish / UK sci-fi series for Chinese TV
starring Stephy Qi, Ray Ma
ContentAsia Award for Best TV Format Adaptation (Scripted) 2021
BEETHOVEN CAN HEAR YOU
a drama for BBC Radio 3 starring Peter Capaldi and Sophie Stone
I’m a participant on the BBC TV Drama Writers’ Programme 2021, a regular writer for the Big Finish range of Doctor Who audio adventures, alumnus of Channel 4’s 4screenwriting scheme 2015, and currently developing TV drama series with Echo Lake (US) Calamity Films (UK) and Hillbilly Films (UK).
Projects as a composer include:
- – TV soundtracks for Edgar Wright, Matt Lucas and David Walliams
- – stage soundtracks for Raucous, Chris Goode and Co / Manchester Royal Exchange, Selina Thompson / Theatre Bristol / MAYK, Nikesh Shukla / Nik Partridge / Tobacco Factory Theatres; some examples here.
- – music and sound design for all Sleepdogs projects to date; some examples here.
- – original music for various BBC Radio productions
I’ve sound designed for:
- – organisations including We The Curious, Forest Fringe, Lyric Hammersmith, BBC Radio, 14-18 NOW
- – artists including Lucy Cassidy, Neil Bartlett, Greg Wohead, Lucinka Eisler, and Bodies In Flight
As a musician and performer:
angeltech is the name of the radiophonic pop group I’m part of.
Former Producer is the guise under which I tend to make solo music these days – there’s a sketchbook here.
North Sea Navigator is the name under which Paul Nash makes music, and I sometimes play on / produce their records.
Some words by other people about things I did:
“… a brilliantly unnerving and visceral piece of work by a distinctive and vividly theatrical voice.”
“Fabulously mysterious, with a lead character who leaped off the page.”
Vicky Featherstone and Russell T Davies on Heartworm, winner of the Bruntwood Prize for Playwriting 2017.
“Watching The Bullet And The Bass Trombone is the closest I’ve come to the experience of seeing Godspeed You Black Emperor! play live: it has the same long-drawn-out drones, the same careful build-up to sustained emotional crescendos – and again, the same politics, the same humanity, fear, and hope. It takes a long time for hope to emerge in ‘Bullet’, and when it does, it floods the dark room with sunlight: a magical, uplifting experience.”
– journalist and critic Maddy Costa on Sleepdogs’ The Bullet And The Bass Trombone.
“Harrowing, intelligent, beautifully crafted and deftly performed. And ultimately incredibly uplifting in an impossible-to-describe kind of way.”
– Andrew Haydon, Postcards from the Gods, on The Bullet And The Bass Trombone.
“Delicate and simple, but still majestic.”
“A sum that is greater than its beautifully compelling and brilliant parts.”
“Impossible not to fall head over heels, totally and utterly in love with this.”
“This is sci-fi music magic and it’s very cool”
“One of the UK’s best-kept secrets… shimmeringly beautiful and lyrically savvy… makes me want to cry tears of unabashed joy.”
– The NME, DJ Magazine, Subba-cultcha, Unpeeled, and Spill Magazine on the music of Angeltech.
“… a thrilling exploration of evil, identity and creativity, performed with terrific power and concentration by Timothy X Atack and Charlotte Melia… the effect is deep, thought-provoking, moving and beautifully sustained, by two fine actors pushing themselves to the limit.”
– The Scotsman on Thomas Eccleshare’s Helen.
– – –
Corrections & clarifications:
I’m sometimes confused with Tim Atack, the composer of soundtracks for Cemetary Junction, Among Giants and Elephant Juice amongst many many others, and collaborator with Des’ree. Despite some ongoing IMDb and Google-related confusions, he is another person entirely, with his own hopes, dreams, face, and probably a different blood group.