It’s been a tough year for anyone working in the performing arts, and I want to pick apart something I’m hearing more and more, especially as theatres announce their re-opening programmes and projects. In private I’m hearing an increasing number of brilliant artists – and in particular writers – saying that theatre isn’t a welcoming… Read more »
So my play Babel’s Cupid has just been announced as one of the three runners-up for the Yale Drama Series Prize 2021. Over the moon, me. Many thanks to judge Paula Vogel and Yale Drama Series, and huge congratulations to the winner Rachel Lynnet, as well as my fellow runners-up Molly Bicks and Francisco Mendoza…. Read more »
On quantum emotions Writing drama, you’re regularly asked to justify the actions of the fictional people you’re creating, to give them clear reasons for doing what they do and saying what they say. And of course this is key to a method of storytelling that seems to have done us fine for a good two… Read more »
Earlier this year I was lucky enough to be awarded an Industry Fellowship on the Bristol & Bath Creative Cluster Expanded Performance programme. Yeah, it’s a mouthful… Basically it means I’m part of a group of people researching the potential of live performance in conjunction with creative technologies. It’s an arena I’ve been pushing at the door… Read more »
Last year, Tim and I wrote an Ethical Policy for Sleepdogs*. I’ve been meaning to post it up for months, and today it feels like my non-negotiable duty to share anything that stands up for y’know, taking responsibility for how we act. Funny that when I was thinking what to call this post, it was… Read more »
I made this for the Sleepdogs office. It’s about not always doing things the same way, with the same patterns (unless that’s the right thing to do.) Also: trying to be clear and kind – to others, to your own bad self.Also: recognising when you’re doing something new. The sections can be addressed in any… Read more »
A confession, and a provocation. These last few years since becoming a full-time ponce-faced artist-about-town I’ve been really lucky to have worked with some amazing people. Even luckier that many of those people have come from walks of life different to my own, with backgrounds and heritages I’ve been able to learn about… Read more »
Last Saturday, I spent the day with our brilliant friend and collaborator Sharon Clark, and wor Tim, in the Residence space, for a day of peer mentoring / problem solving / critical reflection. I’ve done a lot of one-to-one peer mentoring, which is super useful, but I loved how this three-pointed process seemed to open… Read more »
Here’s two interviews with me talking about making stuff and all that. The questions were from students at Bath Spa University. 1. Interview by Connor Sullivan on sound design and site-specific theatre. – What Site-Specific Theatre Productions have you worked on? Quite a few, but in recent years: – ‘Salt In The Sugar Jar’, a… Read more »
Now Is The Time To Say Nothing By Caroline Williams and Reem Karssli At Arnolfini, Mayfest 2018 Walking out into the May sunshine after seeing Now Is The Time To Say Nothing, I knew I was going to be thinking about it for as long as I had the faculty to, that every now… Read more »