tags_ state of theatre and that

Chipping at the hard stuff

I wrote a (pretty personal) piece for the Bristol Old Vic blog about my Leverhulme Scholarship experience so far, and how transformative it’s been for me over the last year. Here’s a link for reads it. I gave ’em the option of using a pic of m’self or a pic I took on a dawn… Read more »

A humble request to theatre critics

(Author’s note: I am, occasionally, a theatre critic.)   Please do not use the phrase ‘self-indulgent.’ It will almost always be factually incorrect. You’re perfectly entitled to use the word ‘indulgent’, as long as you go on to clarify what is being indulged. But ‘self’-indulgent? Unless you’re very well acquainted with the creators: how the… Read more »

Drama: problems

Over the next few months I’m about to start working as a dramaturg and writer alongside some great artists, as well as giving a few talks and workshops about sound design for performance. When describing my methods I sometimes use phrases that are shortcuts to wider thinking, to ideas I’ve developed or adopted over the years about… Read more »

DLLH: Influences 4 > FULL ON THEATRE

This is part of a series of blogs about influences on Dark Land Light House. Elevator Repair Service: The Sun Also Rises I was giving a lecture to a student group recently, and talked about the integrated interdisciplinary process of developing DLLH. One of the students asked me the question: how do you balance this interdisciplinary… Tanuja /

Why not / because usually / what else

  Oh hello. Well, a while back you might have seen Rupert Christiansen’s Telegraph blog on the subject of women in theatre. If not, here it is: http://www.telegraph.co.uk/culture/theatre/11169928/There-is-no-conspiracy-against-women-in-the-theatre.html I’m not going to get rude about Mr Christiansen’s opinion. I don’t know the guy, and there’s enough rudeness on your internet already. If you’ve come here… Read more »