[EDIT, 2021. This post from 2018 contains positive thoughts and reflections on the practice of Chris Goode, who at the time was horrendously abusing many people involved in his work, and beyond. Apart from this note, I’ve left this post unedited. If there were any indicators of this abuse that I might have seen,… Read more »
Last Saturday, I spent the day with our brilliant friend and collaborator Sharon Clark, and wor Tim, in the Residence space, for a day of peer mentoring / problem solving / critical reflection. I’ve done a lot of one-to-one peer mentoring, which is super useful, but I loved how this three-pointed process seemed to open… Read more »
Here’s two interviews with me talking about making stuff and all that. The questions were from students at Bath Spa University. 1. Interview by Connor Sullivan on sound design and site-specific theatre. – What Site-Specific Theatre Productions have you worked on? Quite a few, but in recent years: – ‘Salt In The Sugar Jar’, a… Read more »
We had a conversation with MAYK a little while back, which went something like this: Team MAYK: “Some colleagues in Canada do this thing called Thought Residencies. We talked to them about us trying it out in the UK. Do you want to do a Thought Residency? No pressure.” Team Sleepdogs: “Er, ok. Why not?… Read more »
When I was kid, I dreamed of being a film star (obviously). And in those fantasies, I pictured my adult film star self as having white skin. This didn’t at the time strike me as weird or odd in any way. It was a fantasy. She wasn’t actually me. She had her own name and… Read more »
(Author’s note: I am, occasionally, a theatre critic.) Please do not use the phrase ‘self-indulgent.’ It will almost always be factually incorrect. You’re perfectly entitled to use the word ‘indulgent’, as long as you go on to clarify what is being indulged. But ‘self’-indulgent? Unless you’re very well acquainted with the creators: how the… Read more »
Over the next few months I’m about to start working as a dramaturg and writer alongside some great artists, as well as giving a few talks and workshops about sound design for performance. When describing my methods I sometimes use phrases that are shortcuts to wider thinking, to ideas I’ve developed or adopted over the years about… Read more »