tags_ processes

Why not / because usually / what else

  Oh hello. Well, a while back you might have seen Rupert Christiansen’s Telegraph blog on the subject of women in theatre. If not, here it is: http://www.telegraph.co.uk/culture/theatre/11169928/There-is-no-conspiracy-against-women-in-the-theatre.html I’m not going to get rude about Mr Christiansen’s opinion. I don’t know the guy, and there’s enough rudeness on your internet already. If you’ve come here… Read more »

Writing Dark Land Light House

  How I’m writing Dark Land Light House: – In 2008 we outlined a story. A sci-fi horror set on a lighthouse in space. It was meant for radio at first. – Then we thought about it as a film for a while. We decided it wouldn’t quite work. Or we couldn’t quite afford it…. Read more »

I like scripts

Thing is, I like working from scripts. I don’t much care what format the script comes in, or whether it’s in the right order, and I’m never averse to suggesting abstractions or deletions; but the bottom line is: I’m a massive scaredy-cat at devising content in rehearsals and I like working from scripts. This seems… Read more »

WHY IS YOUR PLAY BORING?

To be clear, I made this chart for myself…     (Click image for full-size readability fun.) I’ve been getting back into the frame of mind where I’m writing theatre for other people to produce. And I kept having to ask: why am I returning to these old structures / methods / mistakes? So I… Read more »

An interview about The Bullet And The Bass Trombone

With The Bullet And The Bass Trombone about to hit the Caravan showcase at Brighton Festival, we thought it might be interesting to dig out this blog interview we did before the first previews of the finished show at Bristol Old Vic, back in 2012. The article was originally published on theatrebristol.net. And the hard… Read more »