tags_ plays

26 Years of Babel’s Cupid

So my play Babel’s Cupid has just been announced as one of the three runners-up for the Yale Drama Series Prize 2021. Over the moon, me. Many thanks to judge Paula Vogel and Yale Drama Series, and huge congratulations to the winner Rachel Lynnet, as well as my fellow runners-up Molly Bicks and Francisco Mendoza…. Read more »

Honestly what were you THINKING

On quantum emotions Writing drama, you’re regularly asked to justify the actions of the fictional people you’re creating, to give them clear reasons for doing what they do and saying what they say. And of course this is key to a method of storytelling that seems to have done us fine for a good two… Read more »

What We Don’t Talk About When We Talk About Power

  A confession, and a provocation.   These last few years since becoming a full-time ponce-faced artist-about-town I’ve been really lucky to have worked with some amazing people. Even luckier that many of those people have come from walks of life different to my own, with backgrounds and heritages I’ve been able to learn about… Read more »

2: Interviews

Here’s two interviews with me talking about making stuff and all that. The questions were from students at Bath Spa University. 1. Interview by Connor Sullivan on sound design and site-specific theatre. – What Site-Specific Theatre Productions have you worked on?   Quite a few, but in recent years: – ‘Salt In The Sugar Jar’, a… Read more »

Why not / because usually / what else

  Oh hello. Well, a while back you might have seen Rupert Christiansen’s Telegraph blog on the subject of women in theatre. If not, here it is: http://www.telegraph.co.uk/culture/theatre/11169928/There-is-no-conspiracy-against-women-in-the-theatre.html I’m not going to get rude about Mr Christiansen’s opinion. I don’t know the guy, and there’s enough rudeness on your internet already. If you’ve come here… Read more »

WHY IS YOUR PLAY BORING?

To be clear, I made this chart for myself…     (Click image for full-size readability fun.) I’ve been getting back into the frame of mind where I’m writing theatre for other people to produce. And I kept having to ask: why am I returning to these old structures / methods / mistakes? So I… Read more »